Gente en el cine

La Mirada (the gaze) presents nine outside their country almost unknown Latin American artist-photographers. The works of the last 20 years range from straight photography to the staged image. This title describes not only gaze of the camera directed towards a specific subject, but also the artistic attitude and mental approach of the nine artists and their diverse views on photography.

Para conmemorar el centenario del nacimiento de David Alfaro Siqueiros (1896-1974) se publica esta iconograf a, estructurada de modo que nos gu e por los evento de la vida de este controvertido pintor. Este material no s lo nos muestra fotograf as del artista pl stico, sino del personaje hist rico: activista sindical, educador, orador y militante pol tico. As , las im genes nos muestran el itinerario de este artista excepcional.

With Torero, Ruven Afanador juxtaposes the incredible beauty of young bullfighters and old-world Latin traditions with a couture-inspired vision of the opulent costumes and the ritualistic elements of the matador culture, and narcissism, an integral aspect of fashion photography. Afanador opens the door to the famously closed society of bullfighters, offering his elegant, private view of the young matadors raised in a centuries-old Latin tradition, capturing their balletic beauty, and their distinctly erotic aura. Through these iconic portraits, Afanador also gorgeously documents the...

Located halfway between Los Angeles and Yuma, Arizona, Indio came into being as a railroad town in 1876 when the Southern Pacific Railroad completed this last link in its southern transcontinental route. Settling this arid land took ingenuity and courage, and Indio’s early residents had both. In the 1930s, Indio became a mining town when 92 miles of tunnel were dug through its eastern mountains for the Los Angeles Aqueduct, the largest construction project in the United States during the Depression. World War II brought Gen. George Patton’s Desert Tank Corps to train nearby and crowd into ...