Madrugada sin retorno

Durante los siglos XVI y XVII, gran parte de la Real Audiencia de Quito es un territorio de frontera. En la mitad septentrional, la autoridad de los funcionarios coloniales se limita a los valles serranos y solo en algunas ocasiones se extiende hacia el territorio situado en los contrafuertes andinos. Aunque la población de Quito no se encuentra directamente amenazada por los indígenas hostiles, a uno y otro lado de la ciudad, tanto al este como al oeste, es posible encontrar, apenas a un par de jornadas, grupos indígenas hostiles, denominados "indios de guerra" en los documentos...

This study offers a profound study of Arrufat's play, using most recent critical trends concerning the performance aspect of the drama. It examines the genre of the drama and its relationship to the phenomenon of the Cuban Revolution, Arrufat as a Cuban playwright of the 60s and his re-writing of the Greek theme of the fratricidal fight in Aeschylus' Seven Against Thebes. Also contains a recent interview with Arrufat in which he describes the social circumstances surrounding the play and some of his classical re-writing techniques.

An expansive tribute to the life and achievements of this internationally renowned Turkish scholar and culturalist Cultural Horizons recognizes the extraordinary achievements of Talat Sait Halman throughout his multifaceted career as Turkey's Minister of Culture, Ambassador for Cultural Affairs, professor, poet, translator, literary author and critic, newspaper columnist, and public speaker. Seventy-two distinguished scholars, journalists, translators, and creative writers from around the world have written for this work. Contributions include poetry, essays, a play, and articles.

Analiza la exclusión racial del negro en Cartagena a lo largo de la historia, revelando las causas, continuidades y cambios. Ilustra así el proceso racial en su articulación con la diferenciación social y la formación de clases.