Desde la proximidad democrática

«Guerra, Revolución, Constitución (1808 y 2008)» pretén contribuir a l'ampli i ric debat historiogràfic a propòsit de la Guerra de la Independència i de les transformacions socials i polítiques que el conflicte va propiciar. Una guerra i uns canvis que no poden plantejar-se ni entendre's al marge de la situació de la monarquia i de la crisi de l'Antic Règim en els territoris de tots dos hemisferis i als dos costats de l?Atlàntic. La Guerra i la Revolució, el valor de la Constitució i l'inevitable i necessari transitar de la història a la literatura, constitueixen els diferents...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

Cuando los republicanos liberaron París es un homenaje a los republicanos españoles que formaron La Nueve compañía y contribuyeron a derrotar el nazismo, liberando París el 24 de agosto de 1944. A través de los ojos de un miliciano que cruza la frontera con Francia se relatan los acontecimientos que le llevaron a él y a muchos hombres y mujeres del siglo xx a adquirir un compromiso político.

This study offers a profound study of Arrufat's play, using most recent critical trends concerning the performance aspect of the drama. It examines the genre of the drama and its relationship to the phenomenon of the Cuban Revolution, Arrufat as a Cuban playwright of the 60s and his re-writing of the Greek theme of the fratricidal fight in Aeschylus' Seven Against Thebes. Also contains a recent interview with Arrufat in which he describes the social circumstances surrounding the play and some of his classical re-writing techniques.