La Generación sin Nombre. Una antología

Isabel Gómez construye el itinerario de un genocidio y una derrota colectiva a partir de un implacable despliegue de memoria. Nos enfrentamos, así, a una poesía que se sitúa en el lugar de los caídos y que se niega al olvido. Por lo mismo, reconstruye las huellas de aquellos desaparecidos, exterminados y establece un contrapunto con el presente.

Estudio y edición crítica de esta obra de Juan de Jáuregui (1583-1641), crítico sabio y de atinadas opiniones, a quien el tiempo en que vivió le permitió participar en el juicio de los cambios que transfiguraron la lengua literaria del Siglo de Oro.

In Ariel Francisco's Miami, invasive lionfish are sympathetic creatures, the beach succumbs to sea-level rise, and "305 till I die" is a cry for help. The speakers in these hilarious and melancholy poems depict a rich and varied emotional landscape that mirrors that of the state they long to leave, dead or alive. They imagine themselves standing on ocean garbage patches, contemplate the crabgrass on traffic medians, and envision the new beauty of a submerged Miami Beach: "Famed art deco replaced by fire coral / and colorful parrot fish, neon lights / restored by pulsating swarms of moon /...

This bilingual anthology, Cantos to Encounters, is a selection of the poetic works of Luis Alberto Ambroggio, the highly-respected Argentinian-American poet who currently represents Hispanic writing in the United States. The poems quickly reveal how the encounters related to the poet serve as symbols for numerous topics and people: for war, family, women, mythology, immigrants; and for poets such as Darío, García Lorca, Vallejo, Whitman, and Benedetti, as well as for himself. These poems place their author between the year 1987, when he was starting his poetic journey with some poems from...