La revolución en blanco y negro

This anthological edition is a well-deserved tribute on the life work of Bostelmann (b. Mexico), one of Mexico's most noted late 20th century photographers. This photographic retrospective presents his striking b/w photographs of desolated and rainy places, nude figures, the town of Cuetzalan, political meetings, children and his ironic color series (CrÑnica de familia, la vida en breve, gallo). Bostelmann was against what he called the "current use and abuse of digital elements" to enhance photography.

"Comprehensive listing of nearly 1,000 printed works from Mexico City includes bandos, constitutions, regulations, sermons, and reports of festivities"--Handbook of Latin American Studies, v. 58.

1888, pt. 2, includes meteoroloical observations reported from the Observatorio Meteorológico-Magnético de Central Mexico, for the years 1877-1888.

"Important study of the Maximato (1928-34) sees Cardenismo as the culmination of - rather than the replacement for - many important political developments under Calles. Concludes that there were 'important differences' but also 'essential overlaps' between Calles and Cárdenas. Cardenismo would not have been possible without the Maximato"--Handbook of Latin American Studies, v. 58.