Ultima llamada

This anthological edition is a well-deserved tribute on the life work of Bostelmann (b. Mexico), one of Mexico's most noted late 20th century photographers. This photographic retrospective presents his striking b/w photographs of desolated and rainy places, nude figures, the town of Cuetzalan, political meetings, children and his ironic color series (CrÑnica de familia, la vida en breve, gallo). Bostelmann was against what he called the "current use and abuse of digital elements" to enhance photography.

Articles and letters by Cosío Villegas and other scholars, previously published in various periodicals, discussing the Mexican Revolution, the Partido Revolucionario Institucional, and Armando R. Pareyón Azpeitia.

An autobiographical testimony as told by Héctor García (b. México 1923), one of the most influential photojournalists in Mexico during the first half of the 20th century, illustrated with a large number of full-page black and white plates of famous personages like Diego Rivera, Frida Kahlo, Pedro Infante, Maria Felix, along unique images of important events. Author Rivera who dedicated close to 5 years defines this editorial project as "Thanks to this extraordinary photographer and thorough chronicler, the reader has the great opportunity to be taken into those passages of the cultural,...

México ha tenido a lo largo del siglo xx e inicios del siglo xxi una relación ambigua, por decir lo menos, con la democracia. Si bien es cierto que el texto constitucional de 1917 se inspiró en los ideales democráticos de la Ilustración francesa y de los constituyentes de Filadelfia –especialmente en la idea de “soberanía popular” de Jean Jacques Rousseau, en la teoría sobre la división y el equilibrio de poderes de Charles de Montesquieu y en la teoría del gobierno representativo y la necesaria operación de frenos y contrapesos en las relaciones entre las instituciones...