La revolución en crisis

Con un infinito respeto, Mariana registra las expresiones populares. Nada hay en ella del fotografo al acecho de las mas violentas emociones, no quiere que la envien a donde esta la accion. Su guerra es otra y es muy honda. A veces se siente culpable de no gozar la vida urbana, de no haberse dedicado a las contradicciones de la ciudad, el amontonamiento de seres humanos, el smog, la agresion, el desamor...

M s cerca del testimonio o de la narraci n hist rica que del an lisis erudito, esta obra constituye el primer intento de aproximaci n a la Revoluci n mexicana en su conjunto. Esta cr nica ofrece, adem s, una historia fotogr fica de la Revoluci n de 1910 a 1942.

Author Alejandra Mora explores a fascinating aspect of vernacular photography: the "amplifications in cloth", a long field research that started in the town of San Pablo Huitzo, Etla, Oaxaca, and spanned all the way into Mexico City with the intention of locating the creators of such unique portraits, who using new technologies have managed to satisfy customer demands. Illuminated images that satisfied the popular beauty conceptions of the body, hairstyles, fashion and jewelry, including the wedding photography.

"Six essays approach the history of Mexican railroads from the perspective of the 'new economic history.' See especially Soto's essays on the relationship between industry and railroads in Monterrey, and Grunstein Dickter on the difference in approach between the científicos and the Carrancistas; however, all essays are important and well done. Recommended"--Handbook of Latin American Studies, v. 58.