El Indio Costal, O, El Dragón de la Reina: Escenas de la Guerra de Independencia de México...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

Eduardo Matos Moctezuma congrega aquí las voces de Hernán Cortés, fray Bernardino de Sahagún y Bernal Díaz del Castillo, para relatarnos la conquista espiritual de Tenochtitlan, no sin contemplar el aspecto de imposición y resistencia de conquistadores y conquistados.

Gil Vicente no solo se identifica con su momento histórico, el de las conquistas ultramarinas, que habían dado como resultado una corte rica en un país miserable, sino que su arte dramático aspira a recuperar el equilibrio del orden perdido mediante la integración del lirismo y la sátira. Más allá de la corte gira en torno a tres momentos claves: la nostalgia del orden, la relación con la naturaleza y el orden musical.

Examining not only the influence exercised by the Colonial West on India, but also the influence of India on Western modern thought, this study aims to decolonize the Indian continent of the clichés and tales imposed on it by the West and by modernity. The result is a fascinating investigation that not only questions traditionally accepted prejudices about India itself, but also criticizes the traditional perspective dictated by the Western social sciences. Examinando no sólo la influencia del occidente colonial, si no también la influencia de la India en el pensamiento moderno occidental, ...